Includes 5 LUTs made specifically for the Ronin 4D D-Log
A mix of clean and filmic. Based on Arri’s color science, I push the image further for a creamy texture. I created the perfect set of curves to really give those filmic tones and contrast on the skin. These were adapted from my popular Sony S-Log 3 LUTs but pretty much revamped to fit D-Log and also giving unique looks separate from the Sony versions.
This is the starting base. Just clean colors with minimal shifts, but will still have those set of curves I created to get the skin to pop.
A continuation of Base, but further pulling back the curve to give a more matte texture to the highlights and shadows.
A continuation of Base, but giving more of a crunch to the curve to give a more filmic texture to the highlights and shadows.
Different custom grades that go with the BASE. Sage will give you cooler highlights and brownish matte shadows. Tobacco will give you a more warmer tint, a bit western or even romantic if you want that type of thing.
Includes 5 LUTs made specifically for the Ronin 4D D-Log
A mix of clean and filmic. Based on Arri’s color science, I push the image further for a creamy texture. I created the perfect set of curves to really give those filmic tones and contrast on the skin. These were adapted from my popular Sony S-Log 3 LUTs but pretty much revamped to fit D-Log and also giving unique looks separate from the Sony versions.
This is the starting base. Just clean colors with minimal shifts, but will still have those set of curves I created to get the skin to pop.
A continuation of Base, but further pulling back the curve to give a more matte texture to the highlights and shadows.
A continuation of Base, but giving more of a crunch to the curve to give a more filmic texture to the highlights and shadows.
Different custom grades that go with the BASE. Sage will give you cooler highlights and brownish matte shadows. Tobacco will give you a more warmer tint, a bit western or even romantic if you want that type of thing.